7 Best Monitors For Video Editing [2022 Buyer's Guide]

Final Verdict

It is about the best monitor for video editing on the market. We collected various types of monitors for photos and video editing that have been reviewed and found to be impressive. We highly recommend you to buy these monitors since they are proven reliable and can offer you a magnificent deal.

Sceptre 35 Inch Curved Ultra wide ultra slim curved monitor is an amazing monitor for video editing, immerses the attention of a larger audience with a 35 inch screen that accurately resembles the contours of the human eye. With quick Response times, ghosting and blurring are reduced so the user can enjoy the display with clarity and precision.

BenQ 24 might not be particularly large, but its 24 inches is more than enough for 1080p video editing and gaming. It still supports the 144Hz high refresh rate of its contemporaries. Its ultra-slim bezel for virtually seamless multi-panel configurations for extended view, space-saving base, elegant design for home and office.

AOC U2790VQ 27″ If physical screen space is the most important factor for you when video editing or working with a high refresh rate, there’s nothing that can beat AOC U2790VQ. It has Ips panel with wide Viewing angles and produces over 1 billion colors for rich details.

LG 27UL500-W 27 If you want a 144Hz monitor that does everything, you can’t get much better than this 27-inch UltraGear. Its IPS display is impressive enough on its own, but the 144Hz refresh rate and 5ms response time add ideal specs for serious video editing.

LG 34WK650-W 34 is a great ultrawide video editing and gaming monitor. It has on screen control with screen split with AMD free sync technology. This monitor is compatible with industry-standard HDR10 high dynamic range, supporting specific levels of color and brightness that exceed the capabilities of ordinary monitors.

HP VH240a 23.8 is a good monitor with response rate of 5ms with overdrive for a smooth picture that looks crisp and fluid without motion blur. It has VGA and HDMI with HDCP support for laptop or multi-monitor setups. INCLUDES: AC power cord and HDMI cable.

LG 32UN550-W 32 bags you a terrific panel with exquisite IPS image quality. Despite the lesser HDR capabilities, it also nets beautiful colors and contrast for your video editing and games too. G-Sync offers stable pictures and smoothness, and the speedy refresh rate and response times back this up too. The whole package, and truly the best video monitor going.

What monitor setting is best for video editing?

What should you look for in a monitor when setting up your editing system? Read on for some general factors to consider when choosing a video-editing monitor.

1. Screen Size

During those day-long (or overnight!) editing sessions, look for a display that is large enough to allow for comfortable, extended viewing. Screen sizes of 19, 21.5, 24, 27, and 32 inches are popular, with ultra-wide variants being available. If you have the space, larger monitors with viewing distances of 40″ or more are an alternative. A 19″ monitor is a smart compromise between screen size and portability with plenty of travel cases to choose from. if you plan on performing any work on set. 

2. Screen Resolution

If you’re editing in 4K and can afford it, upgrade to a 4K or higher display. If your current editing machine is 1080p compliant and you aren’t ready to upgrade to the higher processing and storage requirements of 4K, you can use proxies to edit your 4K footage while watching it on a 1080p monitor. Lower-resolution footage can be seen on a higher-resolution monitor.

3. Supported Video Resolutions

Most production monitors can handle a wide range of input resolutions; it’s necessary to double-check compatibility when employing formats at the extremes of the spectrum or frame rates that aren’t widely used. This includes resolutions such as DCI 4K (4096 x 2160), standard-def NTSC or PAL for legacy applications, and frame rates such as 1080PsF 23.98/24.

4. Panel Types

LCD displays are popular for editing because they have excellent contrast ratios, brightness levels, and colour gamut compatibility. IPS (in-plane switching) LCD panels have better viewing angles and support professional colour schemes than their TN (twisted nematic) counterparts. Wide viewing angles, high contrast ratios and brightness levels, and perfect blacks are all features of OLED monitors, which are typically more expensive than same-size LCDs.

5. HDR (High Dynamic Range) Support

HDR technology dramatically improves the colour intensity and contrast of your photographs. Monitor brightness levels, measured in cd/m2 (candelas per metre squared or nits), are critical for HDR display; for best results, aim for 1000 cd/m2 or above. HDR10 is the most prevalent HDR format, while some monitors also support Dolby Vision or HDR10+. look for the standard supported by your editing system.

6. Color Support: Gamut, Color Depth, Chroma Subsampling

Color gamut (colour range) support is measured as a percentage of the monitor’s whole colour space. Color detail is considerably sharper in wider gamuts like Rec.2020, Adobe RGB, and DCI-P3 than in previous standards like sRGB / Rec.709. When working with log gamma footage, go for 10-bit colour to enhance dynamic range.The more colour depths you have, the more detail you can modify in post-production, but keep in mind that 10-bit colour monitors demand that your GPU, OS, and other hardware can process the 10-bit stream. If you’re a vlogger or show host who’s only cutting video and possibly making white-balance tweaks before sharing to social media, you might want to stick with more economical 8-bit color monitors.

7. Dual Monitor Setup

If you choose to edit in one “window” while viewing a full-size replay in the other, or if you’re using one monitor for editing tracks and the other for colour correction, be sure your computer has a dedicated card to output your NLE system’s colour profiles.

8. Display Tools

Select displays can display side-by-side views of HDR and SDR (standard dynamic range) for comparison, and LUT (lookup table) support allows you to see your log recordings without their characteristic flat look. Some displays have popular LUTs pre-installed, and others can be loaded via USB connection or SD card slot. A vectorscope, histogram, and exposure  zebra, and frame markers are all standard display tools on many monitors.

9. Calibration

Last but not least, establish a calibration regimen for your display. This conforms it to a predetermined standard, which is critical for maintaining a consistent look across your project. Calibration software is included with certain displays, and others can be modified by loading a calibration LUT.A calibration programme with a tethered probe may be your best solution because it can be used with many monitor models, or you can engage a specialist to execute the initial calibration and familiarise yourself with the process.

10. Connectivity

What kind of video I/O connections does your computer’s video I/O card offer? HDMI, 12G/6G/3G-SDI (BNC), ThunderboltTM, DisplayPort, USB, and optical monitor input ports are available; make sure your display is compatible with your system’s visual output.During post-production, a loop-out port is useful for feeding your signal to a larger monitor for viewing by the director or client. Audio I/O options on some monitors allow you to split out integrated audio to external speakers.